Edward's Boys

Perry Mills and his boys are fast becoming the stuff of legend. A cut above your average drama society, Edward’s Boys are currently ploughing their way through the dramatic canon of the early modern childrens’ companies… we were given a consummately professional and finely-realised production of a very rarely-performed play. It’ll be fascinating to see where the boys take us next.

Professor Peter KirwanUniversity of Nottingham

Edward’s Boys show us what boys’ companies can do — which is to say, anything. Their productions are not excellent ‘for children’ or ‘for amateurs’ – they are excellent by any standards. They draw energy from two vital sources: first, painstaking attention to the text, which enables each actor to understand his lines and communicate clearly with the audience; second, the ensemble ethos of the boys and their director, Perry Mills. Mills has created a culture in which the boys teach and learn from each other, releasing the exuberant will to perform in each one to great creative effect. Edward’s Boys audiences learn something about boys’ companies and early modern drama, but they also relish pure theatrical gold.

Professor Elisabeth DuttonUniversity of Fribourg

Edward’s Boys are a firm fixture on the map of the English theatrical scene—and they have also changed the map of how we think about early modern theatre (not just boys’ company plays). The boys – of all ages – are simultaneously innocent and knowing in performance, keeping city comedy teetering on the brink of send-up and making revenge tragedy able to confront its own excess.

Professor Laurie MaguireMagdalen College, Oxford

I love the Edward’s Boys for their willingness to take leave of reality and
abandon themselves to the magic of the theatre. That they are young and male
hardly makes a difference, for they can perform whatever is called for in terms
of age, gender, class, ethnicity, even size. With great energy and skill, often
musical as well as dramatic, they discover the wit, pathos, irony in even the
most abstruse lines. Of course, behind their performances is the genius of Perry
Mills who breathes contemporary life into these largely forgotten early modern
plays, turning the many hard challenges they pose into opportunities for
strikingly imaginative solutions.

Professor Margreta de GraziaUniversity of Pennsylvania