Edward's Boys

Edward’s Boys show us what boys’ companies can do — which is to say, anything. Their productions are not excellent ‘for children’ or ‘for amateurs’ – they are excellent by any standards. They draw energy from two vital sources: first, painstaking attention to the text, which enables each actor to understand his lines and communicate clearly with the audience; second, the ensemble ethos of the boys and their director, Perry Mills. Mills has created a culture in which the boys teach and learn from each other, releasing the exuberant will to perform in each one to great creative effect. Edward’s Boys audiences learn something about boys’ companies and early modern drama, but they also relish pure theatrical gold.

Professor Elisabeth DuttonUniversity of Fribourg

The productions of Edward's Boys are a miracle of scholarly and theatrical praxis. Under Mills'; artistic vision, and through the company's performances, we’re able to see and understand so much more about the complex history of early modern English theatre… Edward Boys creates truly memorable and thrilling theatre.

Professor Brandi K. AdamsArizona State University, US

I love the Edward’s Boys for their willingness to take leave of reality and abandon themselves to the magic of the theatre.  That they are young and male hardly makes a difference, for they can perform whatever is called for in terms of age, gender, class, ethnicity, even size.   With great energy and skill, often musical as well as dramatic, they discover the wit, pathos, irony in even the most abstruse lines.  Of course, behind their performances is the genius of Perry Mills who breathes contemporary life into these largely forgotten early modern plays, turning the many hard challenges they pose into opportunities for strikingly imaginative solutions.

Professor Margreta de Grazia

Anyone interested in early modern theatre should see an Edward’s Boys’ production. Their exploration of the repertory written for the Boys’ Companies may not be for the faint-hearted. The closed-minded will side with the anti-theatrical pamphleteers and declare that disguise is indeed a wickedness. The open-hearted will relish their performances as a revelation.

Patrick Spottiswoode, Director, Globe EducationShakespeare’s Globe

Edward’s Boys must be the bravest company in the world of early modern theatre. They fearlessly take on dramatists who have been ignored by other theatre companies, demonstrating how much early modern creativity and excitement we all overlook. Their work is a peculiar fusion of scholarly breakthrough and theatrical joy: miss them if you dare!

Dr Andy KessonUniversity of Roehampton