Edward's Boys

“Your work is the most sustained attempt to re-imagine what we think boy companies could do – and it will really rewrite the academic theatre history books.”

Emma Smith Professor of Shakespeare Studies, University of Oxford

Our Company Profile

About Edward’s Boys

Since 2005 Edward’s Boys (of King Edward VI School, Stratford-upon-Avon, a state grammar school, also known as K.E.S. and “Shakespeare’s School”) have been performing rarely-seen plays from the repertoire of the early modern boys’ companies.

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Director

Perry Mills was, until July 2023, Deputy Headmaster at King Edward VI School, Stratford-upon-Avon (generally known as “Shakespeare’s School”). For most of his career he has been a Head of English and Drama, and is a very experienced leader of workshops for teachers and students on a variety of related topics.

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Donations to the Company of Edward’s Boys

Edward’s Boys are proud to be part of King Edward VI School, a state school which tries to offer extra-curricular opportunities that are not only comparable to, but often surpass, those that are available in the independent sector.  Unfortunately, we do not receive funding for these activities. The company survives primarily on ticket sales.

We have made the decision to make our film archive available online free of charge for the simple reason that we believe passionately in education. If you take advantage of this unique opportunity, please consider supporting the company’s work by making a donation via this website. Thank you, in advance.

Perry Mills
(On behalf of Edward’s Boys)

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Critical Acclaim for Edward’s Boys

Edward’s Boys are a firm fixture on the map of the English theatrical scene—and they have also changed the map of how we think about early modern theatre (not just boys’ company plays). The boys – of all ages – are simultaneously innocent and knowing in performance, keeping city comedy teetering on the brink of send-up and making revenge tragedy able to confront its own excess.

Professor Laurie MaguireMagdalen College, Oxford

Edward’s Boys’ revivals of plays by the likes of Lyly, Middleton and Marston have informed and transformed my thinking about early modern drama and children’s company plays in particular. No modern revivals can give us concrete answers to our questions about the plays or their performance style, but over the last few years Perry MIlls’ lucid and imaginative productions have asked the very best kinds of questions.

Professor Lucy MunroKings College, London, Keele

The productions of Edward's Boys are a miracle of scholarly and theatrical praxis. Under Mills'; artistic vision, and through the company's performances, we’re able to see and understand so much more about the complex history of early modern English theatre… Edward Boys creates truly memorable and thrilling theatre.

Professor Brandi K. AdamsArizona State University, US

Those who were privileged to see the little eyases of KES playing The Dutch Courtesan will really understand what Shakespeare was talking about: the common stagers in the Courtyard behind the new science block have good cause to be rattled.

Professor Jonathan BateUniversity Oxford

Edward’s Boys show us what boys’ companies can do — which is to say, anything. Their productions are not excellent ‘for children’ or ‘for amateurs’ – they are excellent by any standards. They draw energy from two vital sources: first, painstaking attention to the text, which enables each actor to understand his lines and communicate clearly with the audience; second, the ensemble ethos of the boys and their director, Perry Mills. Mills has created a culture in which the boys teach and learn from each other, releasing the exuberant will to perform in each one to great creative effect. Edward’s Boys audiences learn something about boys’ companies and early modern drama, but they also relish pure theatrical gold.

Professor Elisabeth DuttonUniversity of Fribourg