Edward's Boys

Perry Mills and his boys are fast becoming the stuff of legend. A cut above your average drama society, Edward’s Boys are currently ploughing their way through the dramatic canon of the early modern childrens’ companies… we were given a consummately professional and finely-realised production of a very rarely-performed play. It’ll be fascinating to see where the boys take us next.

Professor Peter KirwanUniversity of Nottingham

I love the Edward’s Boys for their willingness to take leave of reality and
abandon themselves to the magic of the theatre. That they are young and male
hardly makes a difference, for they can perform whatever is called for in terms
of age, gender, class, ethnicity, even size. With great energy and skill, often
musical as well as dramatic, they discover the wit, pathos, irony in even the
most abstruse lines. Of course, behind their performances is the genius of Perry
Mills who breathes contemporary life into these largely forgotten early modern
plays, turning the many hard challenges they pose into opportunities for
strikingly imaginative solutions.

Professor Margreta de GraziaUniversity of Pennsylvania

Edward’s Boys is a remarkable theatrical experiment that has become required viewing for anyone interested in early modern drama. Voyaging far beyond Shakespeare, the Boys’ productions are rare gems that are somehow both a rich resource for scholars of gender, performance and theatre history, and a great night at the theatre. The company gives us an expansive early modern stage world, full of insights about how theatre depicted gender through the boy.

Professor Clare McManus Northumbria University, Newcastle

They are our modern day “Little Eyases” as the companies of boy performers were referred to in Hamlet. But in fact the exercise is much more than that, and should I think be seen, as it deserves to be, in the wider context of Shakespeare study and performance worldwide…for me as a Shakespeare director, with particular interest in the repertoire of these contemporaries, these productions have proved invaluable… Forgive me for going on at length, but I think the school is producing something rather miraculous, and I suspect it is too easy for that to go unsaid.

Gregory Doran, Artistic DirectorRoyal Shakespeare Company

Edward’s Boys are a firm fixture on the map of the English theatrical scene—and they have also changed the map of how we think about early modern theatre (not just boys’ company plays). The boys – of all ages – are simultaneously innocent and knowing in performance, keeping city comedy teetering on the brink of send-up and making revenge tragedy able to confront its own excess.

Professor Laurie MaguireMagdalen College, Oxford