
“Your work is the most sustained attempt to re-imagine what we think boy companies could do – and it will really rewrite the academic theatre history books.”
Emma Smith Professor of Shakespeare Studies, University of Oxford
Since 2005 Edward’s Boys (of King Edward VI School, Stratford-upon-Avon, a state grammar school, also known as K.E.S. and “Shakespeare’s School”) have been performing rarely-seen plays from the repertoire of the early modern boys’ companies.
Perry Mills was, until July 2023, Deputy Headmaster at King Edward VI School, Stratford-upon-Avon (generally known as “Shakespeare’s School”). For most of his career he has been a Head of English and Drama, and is a very experienced leader of workshops for teachers and students on a variety of related topics.
Edward’s Boys are proud to be part of King Edward VI School, a state school which tries to offer extra-curricular opportunities that are not only comparable to, but often surpass, those that are available in the independent sector. Unfortunately, we do not receive funding for these activities. The company survives primarily on ticket sales.
We have made the decision to make our film archive available online free of charge for the simple reason that we believe passionately in education. If you take advantage of this unique opportunity, please consider supporting the company’s work by making a donation via this website. Thank you, in advance.
Perry Mills
(On behalf of Edward’s Boys)
Edward’s Boys’ revivals of plays by the likes of Lyly, Middleton and Marston have informed and transformed my thinking about early modern drama and children’s company plays in particular. No modern revivals can give us concrete answers to our questions about the plays or their performance style, but over the last few years Perry MIlls’ lucid and imaginative productions have asked the very best kinds of questions.
Professor Lucy MunroKings College, London, Keele
Edward’s Boys must be the bravest company in the world of early modern theatre. They fearlessly take on dramatists who have been ignored by other theatre companies, demonstrating how much early modern creativity and excitement we all overlook. Their work is a peculiar fusion of scholarly breakthrough and theatrical joy: miss them if you dare!
Dr Andy KessonUniversity of Roehampton
Anyone interested in early modern theatre should see an Edward’s Boys’ production. Their exploration of the repertory written for the Boys’ Companies may not be for the faint-hearted. The closed-minded will side with the anti-theatrical pamphleteers and declare that disguise is indeed a wickedness. The open-hearted will relish their performances as a revelation.
Patrick Spottiswoode, Director, Globe EducationShakespeare’s Globe
Edward’s Boys are a firm fixture on the map of the English theatrical scene—and they have also changed the map of how we think about early modern theatre (not just boys’ company plays). The boys – of all ages – are simultaneously innocent and knowing in performance, keeping city comedy teetering on the brink of send-up and making revenge tragedy able to confront its own excess.
Professor Laurie MaguireMagdalen College, Oxford
Edward’s Boys is a remarkable theatrical experiment that has become required viewing for anyone interested in early modern drama. Voyaging far beyond Shakespeare, the Boys’ productions are rare gems that are somehow both a rich resource for scholars of gender, performance and theatre history, and a great night at the theatre. The company gives us an expansive early modern stage world, full of insights about how theatre depicted gender through the boy.
Professor Clare McManus Northumbria University, Newcastle





