
“Your work is the most sustained attempt to re-imagine what we think boy companies could do – and it will really rewrite the academic theatre history books.”
Emma Smith Professor of Shakespeare Studies, University of Oxford
Since 2005 Edward’s Boys (of King Edward VI School, Stratford-upon-Avon, a state grammar school, also known as K.E.S. and “Shakespeare’s School”) have been performing rarely-seen plays from the repertoire of the early modern boys’ companies.
Perry Mills was, until July 2023, Deputy Headmaster at King Edward VI School, Stratford-upon-Avon (generally known as “Shakespeare’s School”). For most of his career he has been a Head of English and Drama, and is a very experienced leader of workshops for teachers and students on a variety of related topics.
Edward’s Boys are proud to be part of King Edward VI School, a state school which tries to offer extra-curricular opportunities that are not only comparable to, but often surpass, those that are available in the independent sector. Unfortunately, we do not receive funding for these activities. The company survives primarily on ticket sales.
We have made the decision to make our film archive available online free of charge for the simple reason that we believe passionately in education. If you take advantage of this unique opportunity, please consider supporting the company’s work by making a donation via this website. Thank you, in advance.
Perry Mills
(On behalf of Edward’s Boys)
The productions of Edward's Boys are a miracle of scholarly and theatrical praxis. Under Mills'; artistic vision, and through the company's performances, we’re able to see and understand so much more about the complex history of early modern English theatre… Edward Boys creates truly memorable and thrilling theatre.
Professor Brandi K. AdamsArizona State University, US
Edward’s Boys show us what boys’ companies can do — which is to say, anything. Their productions are not excellent ‘for children’ or ‘for amateurs’ – they are excellent by any standards. They draw energy from two vital sources: first, painstaking attention to the text, which enables each actor to understand his lines and communicate clearly with the audience; second, the ensemble ethos of the boys and their director, Perry Mills. Mills has created a culture in which the boys teach and learn from each other, releasing the exuberant will to perform in each one to great creative effect. Edward’s Boys audiences learn something about boys’ companies and early modern drama, but they also relish pure theatrical gold.
Professor Elisabeth DuttonUniversity of Fribourg
Perry Mills and his boys are fast becoming the stuff of legend. A cut above your average drama society, Edward’s Boys are currently ploughing their way through the dramatic canon of the early modern childrens’ companies… we were given a consummately professional and finely-realised production of a very rarely-performed play. It’ll be fascinating to see where the boys take us next.
Professor Peter KirwanUniversity of Nottingham
More than any other theatre company, including the best of the professionals, Edward’s Boys are in the vanguard of exploring the theatrical style of Thomas Middleton and other contemporaries of Shakespeare… They are clearly leading the way in the exploration of early modern plays using an all-boys cast. Those of us privileged to see these productions are learning about a key aspect of the production of plays in Shakespeare’s period. We are also seeing excellent productions of plays that are insufficiently performed, and, above all, enjoying some memorable evenings in the theatre.
Professor John JowettThe Shakespeare Institute, University of Birmingham
I love the Edward’s Boys for their willingness to take leave of reality and abandon themselves to the magic of the theatre. That they are young and male hardly makes a difference, for they can perform whatever is called for in terms of age, gender, class, ethnicity, even size. With great energy and skill, often musical as well as dramatic, they discover the wit, pathos, irony in even the most abstruse lines. Of course, behind their performances is the genius of Perry Mills who breathes contemporary life into these largely forgotten early modern plays, turning the many hard challenges they pose into opportunities for strikingly imaginative solutions.
Professor Margreta de Grazia





